Flatland (working title)
A Conceptual Exploration in the 'Either/Or' Series
Curatorial Statement by Selena L. Lee
Our generation is undergoing a unique visual journey. Diverting from a history of objects that exist in only the here and now, we have welcomed the notion of reproducibility in regards to images and artworks. More recently, the environment of digital media offers a multitude of imagery that is held in an intermediate space. Screen-based imagery offers a reality that is neither in this tactile world nor is it completely imaginary. Even if these images have a representation in the physical realm – via hard drives or monitors – it is in our psyche that they find their manifestation.
Flatland focuses on this process of psychological imprinting and incorporates works of a two dimensional nature. This exhibition does not emphasize the limitations of each planar medium within the show. By incorporating prints, photographs, screen-based work as well as paintings, Flatland focuses on the transformation of the two-dimensional surface. The perceptual transformation of the flat surface is two-fold; it emerges first from the artist and then manifests itself perceptually in the viewer. Hence, this exhibition investigates how all images exist in two spaces; with one manifestation grounded in the physical world and one within the individual.
This exhibition acts as an inquiry of perception; it is through interpretation that
flat works finds its merit. With Flatland we move beyond the isolated image and explore the subjective relationships between the viewer and viewed object, as well as the physical presence of two-dimensional media.
Expressing Concept in Practice
Summary:
Flatland is intended to be an ongoing inquiry regarding the existence of two-dimensional artwork in physical space. The exhibition will be presented in the main space of Gallery 1313, as well as on an online blog, and in a printed catalogue. These varying forms of presentation act as a reference to the many ways of seeing flat media. The exhibition will consist of 8-10 artists experimenting with the relationships between flat media, the viewer, and the physical space of the object.
Installation:
This planar investigation will address the gallery space itself as a collection of planes. We will focus on breaking free of the rule for planar work to be hung in a gallery space along a centre line, and instead consider the plane-to-plane installation of exhibited works as a three-dimensional intervention. Thus, Flatland will consider the cross sections created in regards to placing planar works in a three-dimensional space. In turn we will experiment with alternative hanging methods of flat works, such as suspending work from the ceiling, placing works on the floor, or installing work that is parallel to the floor.
Artists will be responsible for the installation of their own work. We will be using electronic equipment (ie. monitors). It is likely that sound will be incorporated in the screen-based works. If sound is a part of an artwork, speakers will be used if it does not disrupt other works. Otherwise, sound will be heard through headphones. In the event that this technology is incorporated in a work, the artist will be responsible for providing the equipment. However, any support from 1313 would be greatly appreciated if there equipment is available to borrow.
